The work of Portishead co-founder Geoff Barrow, this scabrous if slight first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) first robs an passed-out supplier, then in a later recollection tries to burgle his own family home. Before you can say, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The central theme – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, enraged after David strangles his dog. Nevertheless, a grimly amusing duel unfolds – David desperate to escape; the Woodsman denying his container of cider, intent on dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one important plot development, but it leads to a comically executed rampage on the forest trails that veers toward rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film is in UK and Irish cinemas from November 17.
